"The most enchantingly evocative memoir of funky-but-chic New York in the late 1960s and early 1970s that any alumnus has yet committed to print." - Janet Maslin's top 10 books of 2010, New York Times
"More than 30 years after its release, Horses still has the power to shock and inspire young musicians to express themselves with unbridled passion. Now she brings the same raw, lyrical quality to her first book of prose." - Clive Davis, Vanity Fair
"Smith's beautifully crafted love letter to her friend Robert Mapplethorpe functions as a memento mori of a relationship fueled by passion for art and writing. Her elegant eulogy lays bare the chaos and the creativity so embedded in that earlier time and in Mapplethorpe's life and work." - Publishers Weekly, Top Ten Books of 2010
"A shockingly beautiful book...a classic, a romance about becoming an artist in the city, written in a spare, simple style of boyhood memoirs like Frank Conroy's 'Stop Time.'" - New York Magazine
"A revelation. In a spellbinding memoir as notable for its restraint as for its lucidity, its wit as well as its grace, Smith tells the story of how she and Robert Mapplethorpe found each other... beautifully crafted, vivid, and indelible." - Booklist
"An utterly charming, captivating, intimate portrait of a late 1960s and early 1970s period of intense artistic ferment in downtown Manhattan significantly shaped and keenly observed by rock firebrand Smith." - Philadelphia Inquirer
"Smith lovingly depicts the denizens of the Chelsea Hotel - is that Janis Joplin at the bar? - and the rock club CBGB, all the while pondering how to be an uncompromising artist who nonetheless needs to pay the rent." - Boston Globe
"Riveting and exquisitely crafted." - Kirkus Reviews
"[A] beautifully crafted love letter to [Robert Mapplethorpe]...Smith transports readers to what seemed like halcyon days for art and artists in New York...[a] tender and tough memoir...[an] elegant eulogy." - Publishers Weekly